Las óleos de todo NOVELLI, Pietro
ID Image  Painting (From A to Z)       Details 
8366  
NOVELLI, Pietro, Cain and Abel she
  		 Cain and Abel she   Oil on canvas, 198 x 147 cm Galleria Nazionale d'Arte Antica, Rome
8368  
NOVELLI, Pietro, Marriage of the Virgin wy
  		 Marriage of the Virgin wy   1647 Oil on canvas S. Matteo, Palermo
8367  
NOVELLI, Pietro, Our Lady of Mount Carmel af
  		 Our Lady of Mount Carmel af   1641 Oil on canvas Museo Diocesano, Palermo
NOVELLI, Pietro
Italian Baroque Era Painter, 1603-1647 Italian painter. He trained with his father, Pietro Antonio Novelli (1568-1625), a painter and mosaicist, then in 1618 in Palermo with Vito Carrera (1555-1623). He also studied perspective with the mathematician Carlo Maria Ventimiglia. Paolini (1980) suggested that in his early years Novelli may have contributed, with Domenico Fiasella and Nicolas Tournier, to a cycle of paintings in the oratory of S Stefano in Palermo and that he made a first journey to Rome between 1622 and 1625. His first dated work is from 1626: St Anthony Abbot (Palermo, S Antonio Abate). The development of his style owed much to Anthony van Dyck, who visited Sicily in 1624 and whose altarpiece, the Madonna of the Rosary (Palermo, oratory of S Maria del Rosario), was of fundamental importance to Novelli. Van Dyck's influence, which remained with Novelli throughout his career, is most apparent in the Death of the Just Man (Palermo, Gal. Reg. Sicilia), the Apparition of the Virgin to St Andrea Corsini (1630; Palermo, Chiesa del Carmine) and the Coronation of the Virgin



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